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Shuffle Time (the snow is shining)

February 19, 2007

I guess I’ll do another shuffle, as I really have nothing better to do at the moment (four day weekend!).

Gorillaz – M1A1

One of the more punky songs on Gorillaz 1. I’ve always been a huge fan of this album, it’s really an album from my childhood. I was in eighth grade or so when I got this album and I got really excited about it, so I listened to it constantly, and I realize now that I liked it so mich for a good reason. It’s a friggin awesome album. It shifts so wildly and spontaneously with so much skill, and it never bores you. M1A1 is an ass kicker, like Punk I suppose, but it take a while to get to it’s point because it has this creepy little atmosphere thing going on at the beginning. In it’s own little strange way, Gorillaz is a masterpiece, and even though some of the songs might be confusing or strange, the album only has one or two weak songs. This is not one of them.

Nick Drake – Hazey Jane 1

My favorite Nick Drake album has always been Pink Moon by a longshot, and Bryter Layter has always been my least favorite. I guess the production always just felt very lacking. The strings are pushed to the back and have this very repetetive almost sleazy feeling to them. Bryter Layter is a good album, no question, but it shows it’s age after a while when Five Leaves Left and Pink Moon still sound great today. I think it’s on At The Chime of a City Clock where there is this long elegant saxaphone solo that just annoys the shit out of me. It just screams seventies, and not the seventies I like either. If they haden’t put the sax so low in the mix it would have been fine too. It’s got that echo on it that just doesn’t sit well with me. This is a good song though. It is more reminiscent of Five Leaves Left. I just really wish that Nick Drake hadn’t subdued himself so much in his music. He broke free and did what he really wanted to do on Pink Moon and that is why it’s such a touching record, but Bryter Layter just doesn’t have what it takes to carry on.

Rammstein – Mein Herz Brennt

This is a choice Rammstein song that makes use of great strings and some crunching guitars, yadadadadada. I’ve gotta tell you guys this story… I was down in Chicago one day around Christmas and a friend and I were sort of going record store hopping. We stopped at this small place called Rock Records because it looked like it would have the more obscure stuff we wanted. It didn’t have anything we wanted, and what few things appealed to us were way too expensive. So we sucked it up and walked into Virgin, and they had everything. It was ridiculous… I was specifically looking for some Mudhoney and Screaming Trees and they had pretty much everything by both bands, not to mention everything I would have ever wanted by Meat Puppets and everything else that was on my wishlist. I was fucking impressed. It’s my new favorite record store, I think. One of my friends is a huge Rammstein freak and he saw a Rammstein box set that came out last year I believe to accompany their tour on a shelf, that I believe contains a cd and a dvd. It’s called Volkerball, and it’s a rare import that usually runs for fifty bucks, sometimes even more. He found it on the shelf for thirty five bucks. I was about to smack him on the backside of the head for considering it because I wasn’t sure of it’s real value, but in any case he took it up to the counter and they had some trouble with it because it’s a rare import and shit… He ended up getting it for five dollars. I nearly crapped my pants. Depending on how you look at it, that’s a huge value. Easily the best deal on music I’ve ever seen. The cashiers looked so weirded out. He doesn’t have a region free DVD player which is I guess the only problem, but he still loves it and it is a choice live album. I’ve heard most all of it and it’s great, very crisp heavy sound quality.

Smashing Pumpkins – Tonight, Tonight

Goddam, I just keep getting songs with strings today. Another great use of an orchestra. For the most part, the strings are out in front in this song and the guitars are more subdued, making the feeling very momentous and special. It’s really a song that you have to crank the volume to get the best out of, but it is classic Pumpkins for sure. It is probably the most pretty thing they ever wrote that made it to the radio, and this is one of the openers to the bands sprawling double disk Mellon Collie for a reason. The lyrics are pretty wonderful too “The indescribeable moments of your life (tonight, tonight)/The impossible is possible (tonight, tonight).” It’s just great. The ending is a nice explosion of energy and the song ends on the subtle note that it started out on.

Pia Fraus – No Need For Sanity

For as much as Pia Fraus rips on a lot of other shoegaze bands, In Solarium is still a great album. For sure this is one of it’s more individual and unique songs. It goes at a very slow pace. The bassline is cool and the guitars mimic Lush and MV at times but it is a nice song noetheless. One problem it does have is that it has problems really going anywhere. The long guitar solo instrumental parts are very nice though and give the rest of the song a lot of meaning. It’s probably what you would want to hear if you were on a beautiful tropical beach and you wanted it to snow just for five minutes.

Led Zeppelin – Friends

One of Zeps more underrated songs, and it’s on my favorite Zep album too. It starts off with a fairly simple guitar strum, but the indian influences come in full force very quickly a solo guitar playing very distinct little ditties and then the addition of (holy shit) some very soaring strings and Robert Plants voice when it was in it’s prime. I’ve learned something about eastern scales lately; most indian music uses it’s own modified scales for ragas and such, but a lot of times indian music is variation on the harmonic minor scale, and the varient is specifically the minor second. You may say, but Alex, isn’t the minor second the same as the major second? Actually, no. A minor second is just a chromatic, or a half step. It’s not the way it works in the normal minor scale but it is still called a minor seond for some reason. So you get that really rich indian sound by digging that second a half step lower so it’s just next to the first, specifically on the descending scale and not so much on the ascending. You can hear it here pretty distinctly as it really gives shape to the indian sound.

The Barenaked Ladies – Alcohol


Eh. There is a fine line between sleazy 90s rock and simply apathetic 90s rock. It’s not that great. When it goes off into the annoying little anthem at 1:45 it’s practically asking me to skip the rest of the song. You could do better for drinking songs. Mostly those should be more testosterome fueled than this, which ends up being pretty repetetive and boring. Whatever.

Elvis Presley – A Little Less Conversation (Radio Edit)


There is no reason this wasn’t featured on the Oceans 11 soundtrack. Period. It was released on an Elvis greatest hits compilation at almost the exact same time, and it’s a great remix. The movie instead settled for the original version. Stupid stupid stupid. I can just picture Andy Garcia flipping a shit at his realization of the heist at one of the songs great chorus transitions. It has a great bassline and the mood is well improved over the original while not sacrificing any of the Kings charm. It’s got trend and some great horns and energy highs. If you were ever to crank an Elvis song, this would be it. Yes, it may be a radio edit but even the original is extremely cool. I got no problems with the king and this is a great song no matter how it’s sliced.

Radiohead – Paranoid Android


Some people call this the modern day Bohemian Rhapsody, but that’s actually an insult. To Radiohead, I mean. Queen never meant much of anything, and I could never take them seriously. This is one of OKCs more serious songs and it is very rhythmic and reminiscent of everyday modern life, which is very much what this album is all about. Not a lot can be said about this album that hasn’t been said before, but I do still discover new things about this album every so often. As a friend pointed out to me, there is some nice foreshadowing in the song with the Apple robot sounds in the background forecasting what is to come on the great filler Fitter Happier. What is really strange about this song is that it sort of comes in distinct movements, the one at 3:32 being the most developing and poignant. When the vocals start to triple up the effect is hauntingly beautiful. I have some great memories of listening to this album a few years ago. I know it’s nerdy, but I associate a lot of music with video games, and OKC is totally perfect for Final Fantasy VIII. The huge open plains for Airbag, the nighttime city for Exit Music, and the wonderful technological Garden for Let Down. It’s a choice song from a perfect album.

Xymox – Spiritual High


One of the two good songs off of Headclouds, the other being A Single Day. The fact of the matter is that most people would buy headclouds just for the club hit A Single Day which is very good, but the rest of the album isn’t that great. I guess I haven’t given this band enough attension, as they are a pretty big deal in the electronica genre. They usually go under the name “The Clan of Xymox,” so I guess the career of “Xymox” is pretty mediocre while The Clan has had some pretty monumental albums since ’85 up until today. They aren’t small time, that’s for sure. But they aren’t exactly my favorite of their genre but I sure as hell won’t turn them off if they squeeze into any of my industrial/electronica/club loving friends mix CDs. Club hits, not too much more.

I guess that was ten. That’s all for now.

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