h1

Harold Budd & Brian Eno – Ambient 2: The Plateaux of Mirror

June 25, 2008

After Ambient 1: Music For Airports, Brian Eno decided to immediately bring another ambient artist in for the second album of the series. The choice was Harold Budd, a pianist who had played minimalist music in the past and had recently released his first album, The Pavillion of Dreams, produced by Eno. On Ambient 2, Eno is seen as the producer and overseer, while Budd is the solo performer.

And to be sure, Budd takes the spotlight extremely well. Very little in the ambient world can compare to Budd’s playing. He is classically trained, and thus tastefully restrained, but at the same time his versatility is great and he never seems to do the same thing more than once on Ambient 2. At times he focuses his energy on the subtle melodies, while other times letting the notes loose in harp-like glissandos. What stays constant is his talent. Every note seems to matter. Some notes ring out, sounding warm yet hollow, while others feel like necessary side notes in decorative flourishes. Signposts and hooks however are few and far between. In fact, a lot of the album feels improvised, mostly due to the pacing, which says all the more for his talent and restraint considering how easily the music can melt into an environment.

And in fact, he did improvise a significant amount. What Eno has said of his producing of the album is that he would often create complex production setups that Budd would experiment with improvising on piano. The two artists would then bounce ideas off of one another. One such occasion is undoubtedly the first song, First Light. Budd’s notes are echoed and spread out like ripples over a subtle background of ambient tone. Eno plays the same card later on Above Chiangmai, and equally impressive song with just as much density and detail. But this is one of the few occasions where he tries the same thing more than once, and the album is anything but overproduced. The second song, Steal Away, is conversely left bare, in fact, and it is almost always Budd at the focal point of all of these songs.

The closest Eno gets to the spotlight is Not Yet Remembered. Eno utilizes a synthesized vocal part which Budd wrote and Eno cleverly reversed to somehow miraculously make one of the album’s most memorable tracks. Although this vocal part sometimes overpowers the piano, the melody is still the backbone of the song. Budd is the solo performer and the highlight of the album, but The Plateaux of Mirror feels like more of a collaboration than any of the other albums in the series, even Ambient 4 which featured a multitude of guest artists such as Daniel Lanois and Jon Hassell. Ambient 4 is actually foreshadowed here. We hear many drones and electronic touchups meant to represent nature here, and they all came back in full force on Ambient 4. They are much more subtle here, in the form of an occasional side drone or the sound of a bird, but they still add to the experience.

The album follows the same piano based theme throughout, but there is actually a lot of variation. The songs are played mostly on acoustic piano and occasionally on electric piano. These two styles foreshadow many of Budd’s later solo albums that used either acoustic or electric piano. Many songs feel content and tranquil, others sad and melancholy. Occasionally a dash of jazz or a romantic suspension is included to add to the variety. The result is an emotionally fluid album that can at once seem to draw on past memories, while evoking a sense of contentment with the present, and also a sense of tension towards the future. Actually, this is one of those rare albums that seems to agree with whatever the listener is feeling at the time.

What is truly striking about Ambient 2: The Plateaux of Mirror is that all of the songs are interesting and memorable. All of them. And we have Budd to thank for that, but Plateaux is also one of Eno’s most notable production jobs, and the two stand side by side in its creation rather than Eno taking the backseat. Harold Budd and Brian Eno are both talented, humble artists that know how to work together, and Ambient 2: The Plateaux of Mirror is a perfectly formed album, and probably the best album in the series, because their chemistry works so well.

Advertisements

2 comments

  1. Your blog was auto-generated as a possible link to my recent blog post, and it is. I thought you might be interested in the new Harold Budd CD. http://tinyurl.com/6r3wms


  2. ambient 2 is the best of the bunch, i think. every song knows when to take its bow and get the hell out of dodge.



Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: