Posts Tagged ‘New Music’

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Best New Music: Q1 in Review

April 9, 2010

We’ve finally entered Q2 of 2010, so I thought I’d revisit some of the best music I’ve heard this year so far.

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Beach House put out the best record of the year so far, Teen Dream. What we at Radio Cure call “beach pop” has been surging in popularity within the past year and a half and it all came down to Beach House’s third album release. It’s a doozie, romantic pop perfection. Buy it or may God have mercy on your soul.

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Another one of the best beach pop releases of the year is the Something in the Way single by Best Coast. It’s a magical, pristine pop song that harkens back to ’60s rockabilly. Best Coast hasn’t released a full album quite yet, but they’ve been making huge splashes on the blogosphere with their great one-off songs, so definitely check them out.

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Apparently even major label pop music is jumping on the beach pop bandwagon; Gorillaz recently released their oceanic third album Plastic Beach. It delivers in much the same way that their previous albums have, churning many great hip hop and rock tunes with a guest list nothing short of incredible. Damon Albarn and company continue to prove that major label acts can still deliver truly vital albums.

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Grouper and Roy Montgomery put out a Split EP on the first day of the year that rivals other releases this year in terms of inventiveness. On Roy Montgomery’s side, epic, ambient middle-eastern guitar strumming. On Grouper’s side, wistful, understated melodies. Both are gorgeous.

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Four Tet put out the stellar There Is Love in You in January, maybe the best electronic album since Flying Lotus’ Los Angeles. It’s minimal techno at its biggest and most physical, influenced by Hebden’s work with Burial. Hebden still has a way with organic sound and makes another dazzling album to fascinate until the next one.

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The Knife along with Mt. Sims and Planningtorock put together the sprawling, progressive Tomorrow, in a Year, the opera based on the life of Charles Darwin as well as the history of the earth. It is difficult, abrasive and also incredibly beautiful and brilliant. If you’re up for a challenge, give it a listen.

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Finally, Gil Scott-Heron released I’m New Here, his first new album in fifteen years, on XL. It’s unlike anything I’ve heard before, a moving mix of Scott-Heron’s strong vocals, post-industrial production, spoken word and awesome cover songs. If you are into poetry or want an eclectic set of tracks, this is a must-have.

What have YOU been listening to?

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Kurt Vile – God Is Saying This to You…

August 23, 2009

I’m going to be honest, 2009. You’re really disappointing me. We’re almost a full eight months into the year, and musically this is one one of the most disappointing years I’ve ever seen. Maybe it’s just last year’s utter blowout that couldn’t help but put this year to shame. Even since my end of the year Best of 2008 list was published, I keep on finding awesome albums from 2008. So maybe this year just seems like it sucks in comparison. It’s not like there haven’t been any good albums this year: Animal Collective, Neko Case, Yeah Yeah Yeahs, Phoenix and Dinosaur Jr. have all released albums that I have liked a lot, and there are a smattering of other albums that I’ve also enjoyed well enough (Tiny Vipers, Clark, and Matt & Kim have had some of the more low key releases that I’m fond of). But the truth is that only one album this year has really wowed me, and as far as I’m concerned it is the only great album of 2009 thus far that I’ve found. By all means, prove me wrong! Give me some recommendations here! I’d be more than willing to give this album some company, but for now I want to give said album some recognition.

Kurt Vile - God Is Saying This to You...

Kurt Vile - God Is Saying This to You...

The truth with folk singer Kurt Vile is self evident; he is a gifted songwriter, and although Constant Hitmaker might be more of a sensible, song based release, there is something special and unique about God Is Saying This To You, a limited release album packaged with the vinyl reissue of Hitmaker. For starters, it is more toned down and acoustic compared to Hitmaker, making it much more personal and understated. Of the twelve songs here, six are fully formed folk songs and they are all excellent, and among the best and most emotionally affecting songs of the year. Of the remaining six, one (“White Riffs”) is a tiny guitar interlude and the other five are short retro electronic experiments. I can anticipate the complaint that the album would seem like only half of a fully formed folk album, the other half useless ham. But those six songs are just too interesting to ignore. They feel like the norm, some strange everyday events, and also further accentuate the folk songs. When Vile sings on the folk songs, he makes every word count, and his lyrics are just as haunting and gripping as his guitar work, mostly because they, like the interludes, feel like regular events with powerful gravity. Often times Vile leaves large instrumental gaps in his pieces, and when he finally speaks subtle words about social anxiety or simple pleasures, they are completely memorable. I wish I could cite them here but I would hate to ruin them for a first listener. And the first time I listened to this, it ended in what felt like just a matter of minutes. Granted, it is a short album, but it strikes a very strange, personal chord. Don’t be surprised if you come back begging for more like I did. I hope Vile’s excellence really is as reliable as it seems. He’s just signed to Matador, and his new album, Childish Prodigy, is due out in October, so keep an ear open. Vile has a two album winning streak going and he’s at a full sprint, so let’s see if he can keep it going.

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